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Sunday Morning Family Worship 10/30/2016

Hello, OKC Urantia Book Community,

This coming Sunday, October 30, we will have our monthly Family Class at 
Tom and Karen Allen's home.

As usual, we will begin at 10:00 am with a potluck breakfast, followed 
by our family class.

Beth Challis

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No Sunday Night Class 10/30/2016

Friends,

No Sunday Night Class 10/30/16.  However, check out Beth's post about Sunday morning brunch at the Allen house.

See you then,

Tom & Karen

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Compare 10/27/2016

The principal goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.
  --Jean Piaget, psychologist (1896-1980)

(2:7.12)  The real purpose of all universe education is to effect the better co-ordination of the isolated child of the worlds with the larger realities of his expanding experience. Reality is finite on the human level, infinite and eternal on the higher and divine levels.

(16:6.11) It is the purpose of education to develop and sharpen these innate endowments of the human mind; of civilization to express them; of life experience to realize them; of religion to ennoble them; and of personality to unify them.

(71:7.1) The enduring state is founded on culture, dominated by ideals, and motivated by service. The purpose of education should be acquirement of skill, pursuit of wisdom, realization of selfhood, and attainment of spiritual values.

(195:10.17) Even secular education could help in this great spiritual renaissance if it would pay more attention to the work of teaching youth how to engage in life planning and character progression. The purpose of all education should be to foster and further the supreme purpose of life, the development of a majestic and well-balanced personality. There is great need for the teaching of moral discipline in the place of so much self-gratification. Upon such a foundation religion may contribute its spiritual incentive to the enlargement and enrichment of mortal life, even to the security and enhancement of life eternal.

    Jean Piaget was a Swiss clinical psychologist known for his pioneering work in child development. Piaget's theory of cognitive development and epistemological view are together called "genetic epistemology".
    Piaget placed great importance on the education of children. As the Director of the International Bureau of Education, he declared in 1934 that "only education is capable of saving our societies from possible collapse, whether violent, or gradual." Piaget's theory and research influenced several people. His theory of child development is studied in pre-service education programs. Educators continue to incorporate constructionist-based strategies.
    Piaget created the International Center for Genetic Epistemology in Geneva in 1955 while on the faculty of the University of Geneva and directed the Center until his death in 1980. The number of collaborations that its founding made possible, and their impact, ultimately led to the Center being referred to in the scholarly literature as "Piaget's factory."
    According to Ernst von Glasersfeld, Jean Piaget was "the great pioneer of the constructivist theory of knowing." However, his ideas did not become widely popularized until the 1960s. This then led to the emergence of the study of development as a major sub-discipline in psychology. By the end of the 20th century, Piaget was second only to B. F. Skinner as the most cited psychologist of that era.

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Compare 10/24/2016

Failure is the condiment that gives success its flavor.
  --Truman Capote (1924-1984)

(160:4.16) The career of a God-seeking man may prove to be a great success in the light of eternity, even though the whole temporal-life enterprise may appear as an overwhelming failure, provided each life failure yielded the culture of wisdom and spirit achievement. Do not make the mistake of confusing knowledge, culture, and wisdom. They are related in life, but they represent vastly differing spirit values; wisdom ever dominates knowledge and always glorifies culture.

    Truman Garcia Capote was an American novelist, screenwriter, playwright, and actor, many of whose short stories, novels, plays, and nonfiction are recognized literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966), which he labeled a "nonfiction novel". At least 20 films and television dramas have been produced of Capote novels, stories, and plays.
    Capote rose above a childhood troubled by divorce, a long absence from his mother, and multiple migrations. He had discovered his calling as a writer by the age of 11, and for the rest of his childhood he honed his writing ability. Capote began his professional career writing short stories. The critical success of one story, "Miriam" (1945), attracted the attention of Random House publisher Bennett Cerf, and resulted in a contract to write the novel Other Voices, Other Rooms (1948). Capote earned the most fame with In Cold Blood, a journalistic work about the murder of a Kansas farm family in their home. Capote spent four years writing the book aided by his lifelong friend Harper Lee, who wrote To Kill a Mockingbird (1960).
    A milestone in popular culture, In Cold Blood was the peak of Capote's literary career; it was to be his final fully published book. In the 1970s, he maintained his celebrity status by appearing on television talk shows.

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Compare 10/18/2016

When I can look Life in the eyes,
Grown calm and very coldly wise,
Life will have given me the Truth,
And taken in exchange---my youth.
  ---Sara Teasdale, poet (1884-1933)

(70:5.2) With the gradual emergence of the family units the foundations of government were established in the clan organization, the grouping of consanguineous families. The first real governmental body was the council of the elders. This regulative group was composed of old men who had distinguished themselves in some efficient manner. Wisdom and experience were early appreciated even by barbaric man, and there ensued a long age of the domination of the elders. This reign of the oligarchy of age gradually grew into the patriarchal idea.

    Sara Teasdale was an American lyric poet. She was born Sarah Trevor Teasdale in St. Louis, Missouri, and used the name Sara Teasdale Filsinger after her marriage in 1914.
    Teasdale was born on August 8, 1884. She had such poor health for so much of her childhood, home schooled until age 9, that it was only at age 10 that she was well enough to begin school. She started at Mary Institute in 1898, but switched to Hosmer Hall in 1899, graduating in 1903. The Teasdale family resided at 3668 Lindell Blvd. and then 38 Kingsbury Place in St. Louis, Missouri. Both homes were designed by Sara's mother. The house on Kingsbury Place had a private suite for Sara on the second floor. Guests entered through a separate entrance and were admitted by appointment. This suite is where Sara worked, slept, and often dined alone.
    Teasdale's first poem was published in William Marion Reedy's Reedy's Mirror, a local newspaper, in 1907. Her first collection of poems, Sonnets to Duse and Other Poems, was published that same year.
    Teasdale's second collection, Helen of Troy and Other Poems, was published in 1911. It was well received by critics, who praised its lyrical mastery and romantic subject matter.
    From 1911 to 1914 Teasdale was courted by several men, including the poet Vachel Lindsay, who was truly in love with her but did not feel that he could provide enough money or stability to keep her satisfied. She chose to marry Ernst Filsinger, a longtime admirer of her poetry, on December 19, 1914.
    Teasdale's third poetry collection, Rivers to the Sea, was published in 1915. It was and is a bestseller, being reprinted several times. In 1916 she and Filsinger moved to New York City, where they lived in an Upper West Side apartment on Central Park West.
    In 1918 she won a Pulitzer Prize for her 1917 poetry collection Love Songs. It was "made possible by a special grant from The Poetry Society"; however, the sponsoring organization now lists it as the earliest Pulitzer Prize for Poetry.
    Filsinger's constant business travel caused Teasdale much loneliness. In 1929, she moved interstate for three months, thereby satisfying the criteria to gain a divorce. She did not wish to inform Filsinger, only doing so at her lawyers' insistence as the divorce was going through. Filsinger was shocked. After the divorce she moved only two blocks from her old home on Central Park West. She rekindled her friendship with Vachel Lindsay, who was now married with children.
    In 1933, she died by suicide, overdosing on sleeping pills. Lindsay had died by suicide two years earlier. She is interred in Bellefontaine Cemetery in St. Louis.

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Sunday Night Class 10/09/2016

Friends,

Veldon finished his moderatorship of Paper 69 tonight. It is enlightening to see how far civilization has progressed yet how far we still have to go.

Beth will take over class on October 23. Many of us are going to Phoenix Arizona to celebrate a memorial for Dick Johnson, Karen's dad. We will skip class next Sunday but take it up agian with Paper 70 October 23.

See you then.

Tom

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Family Class Oct. 30th

Friends in our OKC Urantia Book Community,

This is just a heads-up notice.

This month, in October, we will have our Family class on the last Sunday 
of the month, October 30, instead of the fourth Sunday like we normally 
have.

I hope to see you all then.

Beth Challis

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Compare 10/09/2016

Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities when directing one's course by it, one must still try to follow its direction.
  --Vincent van Gogh, (1853-1890)

(92:2.6)  Conscience, untaught by experience and unaided by reason, never has been, and never can be, a safe and unerring guide to human conduct. Conscience is not a divine voice speaking to the human soul. It is merely the sum total of the moral and ethical content of the mores of any current stage of existence; it simply represents the humanly conceived ideal of reaction in any given set of circumstances.

(100:1.5)  Growth is also predicated on the discovery of selfhood accompanied by self-criticism—conscience, for conscience is really the criticism of oneself by one's own value-habits, personal ideals.

(101:0.3) Religion, the conviction-faith of the personality, can always triumph over the superficially contradictory logic of despair born in the unbelieving material mind. There really is a true and genuine inner voice, that "true light which lights every man who comes into the world." And this spirit leading is distinct from the ethical prompting of human conscience.

(103:2.10) A misguided conscience can become responsible for much conflict, worry, sorrow, and no end of human unhappiness.

(110:5.1) Do not confuse and confound the mission and influence of the Adjuster with what is commonly called conscience; they are not directly related. Conscience is a human and purely psychic reaction. It is not to be despised, but it is hardly the voice of God to the soul, which indeed the Adjuster's would be if such a voice could be heard. Conscience, rightly, admonishes you to do right; but the Adjuster, in addition, endeavors to tell you what truly is right; that is, when and as you are able to perceive the Monitor's leading.

    Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold, symbolic colours, and dramatic, impulsive and highly expressive brushwork that contributed to the foundations of modern art. He sold only one painting during his lifetime and became famous after his suicide, aged 37, which followed years of poverty and mental illness.
    Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful, but showed signs of mental instability. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a missionary in southern Belgium. Later he drifted in ill-health and solitude. He was keenly aware of modernist trends in art and, while back with his parents, took up painting in 1881. His younger brother, Theo, supported him financially, and the two of them kept up a long correspondence by letter.
    Van Gogh's early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886 he moved to Paris and discovered the French Impressionists. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. He lived there in the Yellow House and, with the French artist Paul Gauguin, developed a concept of colour that symbolised inner emotion. During this period he broadened his subject matter to include olive trees, cypresses, wheat fields and sunflowers.
    Van Gogh suffered from psychotic episodes and delusions and, though he worried about his mental stability, he often neglected his physical health, not eating properly and drinking heavily. His friendship with Gauguin came to an end after a violent encounter when he threatened the Frenchman with a razor, and in a rage, cut off part of his own left ear. While in a psychiatric hospital in Saint-Rémy his condition stabilised, leading to one of the more productive periods of his life. He moved to the Auberge Ravoux in Auvers-sur-Oise near Paris under the care of the homeopathic doctor and artist, Paul Gachet. During this time, his brother Theo wrote that he could no longer support him financially. A few weeks later, on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.
    Considered a madman and a failure in his lifetime, Van Gogh exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge." His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist.

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Compare 10/03/2016

In the common words we use every day, souls of past races, the thoughts and feelings of individual men stand around us, not dead, but frozen into their attitudes like the courtiers in the garden of the Sleeping Beauty.
  --Owen Barfield, author (1898-1997)

(195:6.10) But religious leaders are making a great mistake when they try to call modern man to spiritual battle with the trumpet blasts of the Middle Ages. Religion must provide itself with new and up-to-date slogans. Neither democracy nor any other political panacea will take the place of spiritual progress. False religions may represent an evasion of reality, but Jesus in his gospel introduced mortal man to the very entrance upon an eternal reality of spiritual progression.

    Arthur Owen Barfield (9 November 1898 – 14 December 1997) was a British philosopher, author, poet, and critic.
    Barfield was born in London. He was educated at Highgate School and Wadham College, Oxford and in 1920 received a first class degree in English language and literature. After finishing his B. Litt., which became his third book Poetic Diction, he was a dedicated poet and author for over ten years. After 1934 his profession was as a solicitor in London, from which he retired in 1959 aged 60. Thereafter he had many guest appointments as Visiting Professor in North America. Barfield published numerous essays, books, and articles. His primary focus was on what he called the "evolution of consciousness," which is an idea which occurs frequently in his writings. He is best known as the author of Saving the Appearances: A Study in Idolatry and as a founding father of Anthroposophy in the English speaking world.

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Compare 09/26/2016

Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities when directing one's course by it, one must still try to follow its direction.
  --Vincent van Gogh, (1853-1890)

(92:2.6)  Conscience, untaught by experience and unaided by reason, never has been, and never can be, a safe and unerring guide to human conduct. Conscience is not a divine voice speaking to the human soul. It is merely the sum total of the moral and ethical content of the mores of any current stage of existence; it simply represents the humanly conceived ideal of reaction in any given set of circumstances.

(100:1.5)  Growth is also predicated on the discovery of selfhood accompanied by self-criticism—conscience, for conscience is really the criticism of oneself by one's own value-habits, personal ideals.

(101:0.3) Religion, the conviction-faith of the personality, can always triumph over the superficially contradictory logic of despair born in the unbelieving material mind. There really is a true and genuine inner voice, that "true light which lights every man who comes into the world." And this spirit leading is distinct from the ethical prompting of human conscience.

(103:2.10) A misguided conscience can become responsible for much conflict, worry, sorrow, and no end of human unhappiness.

(110:5.1) Do not confuse and confound the mission and influence of the Adjuster with what is commonly called conscience; they are not directly related. Conscience is a human and purely psychic reaction. It is not to be despised, but it is hardly the voice of God to the soul, which indeed the Adjuster's would be if such a voice could be heard. Conscience, rightly, admonishes you to do right; but the Adjuster, in addition, endeavors to tell you what truly is right; that is, when and as you are able to perceive the Monitor's leading.

    Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold, symbolic colours, and dramatic, impulsive and highly expressive brushwork that contributed to the foundations of modern art. He sold only one painting during his lifetime and became famous after his suicide, aged 37, which followed years of poverty and mental illness.
    Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful, but showed signs of mental instability. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a missionary in southern Belgium. Later he drifted in ill-health and solitude. He was keenly aware of modernist trends in art and, while back with his parents, took up painting in 1881. His younger brother, Theo, supported him financially, and the two of them kept up a long correspondence by letter.
    Van Gogh's early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886 he moved to Paris and discovered the French Impressionists. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. He lived there in the Yellow House and, with the French artist Paul Gauguin, developed a concept of colour that symbolised inner emotion. During this period he broadened his subject matter to include olive trees, cypresses, wheat fields and sunflowers.
    Van Gogh suffered from psychotic episodes and delusions and, though he worried about his mental stability, he often neglected his physical health, not eating properly and drinking heavily. His friendship with Gauguin came to an end after a violent encounter when he threatened the Frenchman with a razor, and in a rage, cut off part of his own left ear. While in a psychiatric hospital in Saint-Rémy his condition stabilised, leading to one of the more productive periods of his life. He moved to the Auberge Ravoux in Auvers-sur-Oise near Paris under the care of the homeopathic doctor and artist, Paul Gachet. During this time, his brother Theo wrote that he could no longer support him financially. A few weeks later, on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.
    Considered a madman and a failure in his lifetime, Van Gogh exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge." His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist.

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