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For thirty years people have been asking me how I reconcile X with Y! The truthful answer is that I don't. Everything about me is a contradiction and so is everything about everybody else. We are made out of oppositions; we live between two poles. There is a philistine and an aesthete in all of us, and a murderer and a saint. You don't reconcile the poles. You just recognize them.
  --Orson Welles, (1915-1985)

P.1552 - §6 (139:3.2)  This able apostle [James] was a temperamental contradiction; he seemed really to possess two natures, both of which were actuated by strong feelings. He was particularly vehement when his indignation was once fully aroused. He had a fiery temper when once it was adequately provoked, and when the storm was over, he was always wont to justify and excuse his anger under the pretense that it was wholly a manifestation of righteous indignation. Except for these periodic upheavals of wrath, James's personality was much like that of Andrew. He did not have Andrew's discretion or insight into human nature, but he was a much better public speaker. Next to Peter, unless it was Matthew, James was the best public orator among the twelve.
    Though James was in no sense moody, he could be quiet and taciturn one day and a very good talker and storyteller the next. He usually talked freely with Jesus, but among the twelve, for days at a time he was the silent man. His one great weakness was these spells of unaccountable silence.

    George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, writer and producer who worked extensively in theater, radio and film. He is best remembered for his innovative work in all three media, most notably Caesar (1937), a groundbreaking Broadway adaption of Julius Caesar and the debut of the Mercury Theatre; The War of the Worlds (1938), one of the most famous broadcasts in the history of radio; and Citizen Kane (1941), which is consistently ranked as one of the all-time greatest films.
    After directing a number of high-profile productions in his early twenties, including an innovative adaptation of Macbeth and The Cradle Will Rock, Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for the radio drama anthology series Mercury Theatre on the Air. It was reported to have caused widespread panic when listeners thought that an invasion by extraterrestrial beings was occurring. Although these reports of panic were mostly false and overstated, they rocketed Welles to instant notoriety.
    His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was always an outsider to the studio system and directed only 13 full-length films in his career. While he struggled for creative control in the face of studios, many of his films were heavily edited and others were left unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, innovative uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as a major creative force and as "the ultimate auteur." Welles followed up Citizen Kane with other critically acclaimed films, including The Magnificent Ambersons in 1942, and Touch of Evil in 1958.
    In 2002, Welles was voted the greatest film director of all time in two separate British Film Institute polls among directors and critics, and a wide survey of critical consensus, best-of lists, and historical retrospectives calls him the most acclaimed director of all time.[6] Well known for his baritone voice, Welles was also a well-regarded actor and was voted number 16 in AFI's 100 Years... 100 Stars list of the greatest American film actors of all time. He was also a celebrated Shakespearean stage actor and an accomplished magician, starring in troop variety shows in the war years.