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Men rarely (if ever) managed to dream up a god superior to themselves. Most gods have the manners and morals of a spoiled child.
  --Robert A. Heinlein, science-fiction author (1907-1988)

(1:5.11)  Primitive religion had many personal gods, and they were fashioned in the image of man.

(85:6.3) Tribal chiefs died and were deified. Later, distinguished souls passed on and were sainted. Unaided evolution never originated gods higher than the glorified, exalted, and evolved spirits of deceased humans. In early evolution religion creates its own gods. In the course of revelation the Gods formulate religion. Evolutionary religion creates its gods in the image and likeness of mortal man; revelatory religion seeks to evolve and transform mortal man into the image and likeness of God.

(96:4.7) Moses made a heroic effort to uplift Yahweh to the dignity of a supreme Deity when he presented him as the "God of truth and without iniquity, just and right in all his ways." And yet, despite this exalted teaching, the limited understanding of his followers made it necessary to speak of God as being in man's image, as being subject to fits of anger, wrath, and severity, even that he was vengeful and easily influenced by man's conduct.

(196:3.23)  The projections of the human intellect may indeed originate false gods—gods in man's image—but the true God-consciousness does not have such an origin.

    Robert Anson Heinlein  was an American science-fiction writer. Often called the "dean of science fiction writers", he was an influential and controversial author of the genre in his time.
    Heinlein became one of the first science-fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science-fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered to be the "Big Three" of science fiction authors.
    A notable writer of science-fiction short stories, Heinlein was one of a group of writers who came to prominence under the editorship of John W. Campbell, Jr. at his Astounding Science Fiction magazine—though Heinlein denied that Campbell influenced his writing to any great degree.
    Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of individual liberty and self-reliance, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
    Heinlein was named the first Science Fiction Writers Grand Master in 1974. He won Hugo Awards for four of his novels; in addition, fifty years after publication, three of his works were awarded "Retro Hugos"—awards given retrospectively for works that were published before the Hugo Awards came into existence. In his fiction, Heinlein coined terms that have become part of the English language, including "grok", "waldo", and "speculative fiction", as well as popularizing existing terms like "TANSTAAFL", "pay it forward", and "space marine". He also anticipated mechanical Computer Aided Design with "Drafting Dan" and described a modern version of a waterbed in his novel The Door into Summer, though he never patented or built one. In the first chapter of the novel Space Cadet he anticipated the cell-phone, 35 years before Motorola invented the technology. Several of Heinlein's works have been adapted for film and television.